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Mήδεια Summary å PDF, DOC, TXT, eBook or Kindle ePUB free å ❮PDF / Epub❯ ☀ Mήδεια Author Euripides – Insolpro.co.uk First performed in Athens 431 BC this classic play is one of the most searingly intense of all Greek tragedies The play is set in Corinth some time after Jason's uest fO marry Glauce the daughter of Creon king of Corinth The nurse overhearing Medea's grief fears what she might do to herself or her childre. Gracious hell hath no fury While tunneling through Ovid's Metamorphoses I've been coming across a lot of familiar stories from childhood the ones that have stuck with me over the years and from which I find freuent references in popular culture and life in general such as this tale of a famous warrior who scorns his sorceress wife for another woman you dumbass the story of Medusa and Perseus the rape and imprisonment of Persephone etc I have also with wholly unchecked excitement discovered many myths which I was either previously unaware of or not yet old enough upon my first readings to feel the reverberations from them One such story is that of Philomela which during my reading started playing a familiar tune in my head which I finally managed to place it is Titus Andronicus minus the character Titus Andronicus More specifically it is the story of Titus's daughter Lavinia's tragic fate with all the rape tongue cutting and cannibalism included in the box Shakespeare you pomo re appropriating son of a gun Naturally wanting to read I investigated a bit and found that with the exception of Ovid and Shakespeare there really isn't much as far as plays or re tellings of the Philomela and Procne myth are concerned so I moved on to the next most fascinating story This is my long winded way of saying I think I will invest some time and read a bunch of these old Greek tragedies and Medea is the one I opted to start with Just because I can't sit through a musical doesn't mean I can't enjoy reading plays rightThis story is such a severe caricature of revenge that it makes Beatrix Kiddo look like a woman of marked restraint I won't spill it all here like so much baby blood and oozing princess flesh and ruin it all for you but I will attempt to analyze the moral encoded in this thing First is there one You read a lot about the vengeful nature of the gods almost no matter what ancient scripture or interpretation of scripture you are analyzing and blind though the rage and excessive though the punishments may often seem there is consistently at least an attempt at bigger picture lesson teaching This is not really the case with the mortals however The tales on Earth are about the wicked ways of mankind the bruised egos and battered hearts and the violent rage such insults can cause This is not a map of how to live; this is human brutality exhibited I suppose if I were to draw any conclusions from stories such as that of Medea it would be that control over one's emotions is hard won if it's even remotely embraced at all the line between righteous vindication and moral depravity in fact between emotion fueled yet justifiable behavior and sheer insanity is hazy on the best of days I'm still working through this in my head Basically there is no light here there isn't a shred of an upstanding character in this romantic turmoil everyone's some new mutation of a self centered asshole and lifehumankind are straight up fickle and mean so just deal with it already because all you can really do is try your best to break the bucking mare that is your brutal heartSome of the lines in this play are gorgeous but the final dialogue between Medea and Jason is so Jerry Springer that it drags the whole stage down on their heads I'm not saying the crowd would've egged the former couple but some of them would've definitely gotten on the mic and screamed at these people to just shut up already inter splicing their advice with any number of obnoxiously censored curse words The last few pages were basically No I didn't Yes you did No you are No YOU ARE which was a disappointing finale to an otherwise great show All the same I would recommend it if you are interested in morally ambiguous revenge tales mythology scorned love poison discussions of the role of a good sex life in sustaining emotions how fleeting our hearts and minds are how cruel and self serving people can be violence as a human instinct the role of money and status in human interactions how women have been viewed throughout history physical and emotional pain family friends country sacrifice Oh it's harsh to think of what the future hidesSho nuff man

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First performed in Athens BC this classic play is one of the most searingly intense of all Greek tragedies The play is set in Corinth some. Medea with her suffering her hatred her cruelty has been present this week in my life Her myth living in various guises of representation And all engaged me in various degrees and manner It all started on Monday when touring the Thyssen Musem in the search of paintings which had to do with the idea of ‘Travel” I stopped to admire this painting The Argonauts Leaving Colchis by Ercole de Roberti ca 1480 This depicts the earlier part of the Myth – the adventure in Colchis The Voyage of Argo The Argonautica As the lovely Medea in read is already in the Argos this represents the return trip with Golden Fleece on board There is no hint of their dark future On Tuesday I watched Pasolini’s classic from 1969with the magnificent Maria Callas impersonating Medea Pasolini’s account gives us the full myth from the youth of Jason under the care of the Centaur until the final gruesome deed perpetrated by Medea What enraptured me of this film was Pasolini’s ability to portray an ominous barbaric kingdom Sinister in all its splendour For splendorous the filming certainly is Just to admire his choice of locations is it worth watching this film These are Göreme in Capadocia with those haunting caves and extended yellow land; the imposing and Aleppo fortress which we may very well lose as Syria is now under the control of other dark forces; and parts of the delicate Camposanto in Pisa BeautifulThe only time Callas agreed to act without singing was for this Medea She and her director succeed in giving us a cold hearted Medea possessed by her hatred and full of feelings of revenge but who is in control of hers and other’s destiny DishearteningThen I finally landed in and read a text the major literary source Euripides play The tragedy begins at the end This is Medea’s revenge There were two aspects that drew my attention most in Euripides One was his pride in the Greek civilization for he justifies Medea’s barbarity as precisely that the act of a barbarian Impossibly expected from a GreekAnd second his lines on the plight of women Medea’s lmost out of a feminist pamphlet but this is Euripides’ stylus Of all things with life and understandingWe women are the most unfortunateFirst we need a husband someone we getFor an excessive price He then becomesThe ruler of our bodies This misfortuneAdds still troubles to the grief we haveThen comes the crucial struggle this husbandWe’ve selected is he good or badFor a divorce loses women all respectYet we can’t refuse to take a husbandThen when she goes into her husband’s homeWith its new rules and different customsShe needs a prophet’s skill to sort out the manWhose bed she shares My latest Medea was last night when I attended a performance of Seneca’s version Medea This play focuses on Medea’s abilities as a magician and zeroes in sharply into her hatred and rage than does Euripides The uality of the performance wavered between some less convincing passages and some truly brilliant ones I withheld my interest when hysteria took over the tragic but there was an unforgettable representation of magical rites If the play had begun with an astonishing enactment of the beginning of the Universe the ancient Greek Big Bang when out of the amorphous chaos a series of deities emerged the stage later offered Medea in her rage engaged in a metamorphosis through which she conjured up her powers A frenzy of mud and voices of dislocated movements and terrorizing tremors build up to a climatic trance and Medea becoming one with the goddess Earth adjured the destruction of the Kingdom of CorinthTo my astonishment I found myself gradually slouching in my chair pulled down by my daze and holding my breath—clearly I could not resist being dragged by the intoxicating tranceUnforgettable There is at least one Medea waiting for my attentionChrista Wolfs Medea for when I have recovered

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MήδειαTime after Jason's uest for the Golden Fleece where he met Medea The play begins with Medea in a blind rage towards Jason for arranging t. Hell hath no fury like a woman scornedAlthough this was first written by William Congreve in 1697 not the Bible the distant origins of the sentiment is frozen in human memory; but its earliest dramatic expression may have originated with Euripides I think he just gave it words; the instinct of some women to be vindictive carriers of hellish wrath is innate I have handled than a few divorces where all parties involved – both attorneys and the husband – stood in open mouthed shock and amazement of how bats crazy mad the wife could be Damn girl Let it goSome women cannot She has been wronged and God and all the angels are going to know about it In Medea’s defense Jason had it coming Euripides has created an archetype a template upon which over twenty centuries of artists have contributed and added variation But the origin is forged in a woman’s soul and God help you if you get sideways of this capability for vengeanceAs good to experience now and as relevant as it was centuries ago